I simply could not choose between these two images. Feel free to debate on which one best represents the nebulous concept of "Business Casual."
it's a religion. it's a movement. the world is a difficult place. let's discuss it together.
Saturday, December 01, 2007
why business casuals herald the downfall of western civilization, or vice versa
I simply could not choose between these two images. Feel free to debate on which one best represents the nebulous concept of "Business Casual."
Tuesday, October 23, 2007
people who love bruce springsteen
good pal and theater maker david bradley published this piece in the philadelphia daily news and it certainly bears a reprint here.
i was at the october 6th concert in philly (my 34th!) and will be attending the show on november 11th in DC. bradley's words resonate deeply...enjoy.
michele
Bruce Springsteen Sounds the Alarm
By David Bradley
The 2008 presidential campaign made a two-night stop at the Wachovia Center last weekend. Instead of a bevy of candidates there was a band of musicians. Instead of a smiling front-runner there was a strutting front-man. And instead of massaged messages, there was open talk of lies and lost liberties.
It wasn't Hillary or Barack or Rudy or Fred onstage. It was Bruce. Springsteen, that is, along with his comrades from the E Street Band. It was rock 'n roll not politics, but only someone who wasn't listening closely could say it was only rock 'n roll. And I liked it even more because it wasn't.
Springsteen mentioned no candidate, and, unlike the "Vote for Change" tour that backed John Kerry, offered no endorsements. Instead he used the metaphors and imagery of art to sound an alarm, singing in a new song, "Woke up Election Day, skies gunpowder and shades of gray." The song is called "Livin' in the Future," and you can tell Springsteen hopes this ominous forecast doesn't come true.
That number has a bright bounce to go with a sunny refrain: "Don't worry darlin'…none of this has happened yet." But it's a false shine, and that's the point. This song's about denial, about how we proclaim success in the face of defeat and impugn as doomsayers those who disagree.
He might not admit it, but Springsteen's framed the debate of the next year for us. It's all about telling the truth, counting the cost and living up to ideals. "Is there anybody alive out there?" screams his new song "Radio Nowhere," a tone-setter for his current tour. Saturday night, I heard it as a wake-up call to see the shadows surrounding us and hold our leaders, and ourselves, accountable.
Springsteen's music came of age alongside the betrayal of Watergate and the admission of American malaise from perhaps the last real truth-teller in the White House. But his characters didn't need a president to tell them things weren't working. They saw it in the factory and felt it behind the wheel as they raced towards a promised land fading from reach. Somehow, though, they still believed they'd get there.
If the music grew up in the dark night of the seventies, it flexed its muscle in the gleam of the eighties, against the glossy façade of Ronald Reagan's morning in America . Reagan tried to co-opt the grit of the Boss's "Born in the U.S.A. " in his 1984 campaign, blithely ignoring the cutting irony of the lyrics and embracing only the patriotic-sounding title. Springsteen's been on guard ever since, his songs less anthems of faith and more cautionary tales of surviving falsehood.
So there he was Saturday night, giving a shout-out to the Constitution in its hometown, pointing his telecaster and taking aim at the truth-twisting of those in power. But with his legendary knack for fusing rock 'n roll revival with a tent meeting for serious business, he enlarged the conversation past party or personality, which he never discussed.
Instead, he sang of a fallen soldier mourned by his buddies, a huckster illusionist ready to saw us in half and the "long walk home" between the choices we've made and the values we profess. He closed the show with " American Land ," a Seeger-esque tribute to "the hands that built the country" that are "still dyin' now." There was no mistaking the gap he sees between where we stand as a nation and where we could be.
A long time ago, the young rebels in Springsteen's songs had faith in spirits in the night, whose magic held forth the possibility of change, the idea of transformation. Saturday night, introducing the title song of his new album Magic by criticizing politicians who would turn truth into lie and lie into truth, Springsteen exposed the underside of the enchantment. "This ain't about magic," he stated, "it's about tricks."
Be warned, he seems to be saying. We're in the shadows of a precarious night, and it's an open question as to whether we can really change. Are we up for a fight or content with a show? In what will we put our faith--real transformation or hollow tricks?
Is there anybody alive out there?
David Bradley is a writer, theater artist and educator who lives in West Mount Airy
Tuesday, October 09, 2007
bulletproof glass
Michele just sent me an email about this blog which read:
update it.you have some things to say.say them.
Umm. Ok.
It's 1:00 AM Monday night. I just got back from an open mic at a bar called Fergie's, on 12th and Sansom in Philly. I played three songs accompanied by the drummer of the house band. We had never played together before, he had never heard the songs. But it went ok. Better than last week, my first performance since being back Stateside, which was less than stellar.
But the details of my music career are quite inconsequential.
Well, sort of.
I ride my bicycle through the streets a lot. I generally enjoy it. If I have my iPod in, I'm rocking out. If I don't, I'm usually either running through some of my songs, or thinking about riffs and lyrics and melodies for new ones.
So I've got an idea for a new song. It is called Bulletproof Glass. I conceived it waiting on line at the post office. A thought along the lines of "why the fuck is there fucking bulletproof fucking glass across the fucking counter at the fucking post office? Who the fuck is robbing the fucking post office?"
It was probably hot, I'd probably spent a frustrating day pounding the pavement looking for a job (speaking of, if anyone reading this would like to employ me in any capacity whatsoever, I am open) and running errands and trying to put a life together here in America. Easier said than done, and it's not even easy to say. Just looking at that sentence makes me cringe, makes me think about the DMV and other such sucky places.
So let's get back to the bike. I ride my bike.
In Sapporo, I also rode a bike. A heavy silver metal one with a basket like all the old Japanese ladies ride. I'd go blasting through the downtown area with the iPod on at all hours of day or night, in all states of consciousness, and never once worried about anything or anyone, ever. Period.
The other night I was riding along on my way to go eat Mexican food with my friends down in South Philly. I was heading into what was obviously a "rough" neighborhood. My bicycle is old, and creaky. When I've got the iPod in, I forget how much noise I'm cranking out as I barrel on and off the sidewalks. So anyway, I come up behind this black kid, probably a teenager. And I've got the earphones on but I must be making one hell of a racket, the old rusty frame straining against the tires, the pedals going round and round defying ten years beneath my parents' back deck.
So as I pass the kid, he turns, and swings. Closed fist. That is his instant, and natural, reaction. He does not hit me. He stops himself when he sees my face, when he sees that I am not . . . . I don't know who or what he thought I was. A threat, obviously. I mutter (or scream, probably, in order to hear the apology over Tupac, who I think was playing on shuffle at the time) an apology, pedal hard, and do not look back.
Moments later, I make a decision to get out of that neighborhood and onto Washington Avenue, a well-lit main drag.
Buddy Evan Young, a magazine editor and comic book writer and almost novelist, provides a startlingly accurate description of the smell of Philadelphia somewhere in the pages of his unfinished novel. I won't even attempt to reproduce it here.
The point, though, is that I would like to somehow figure out a way to describe how the streets of Philadelphia feel.
There are a great number of wonderful things about this city. Say what you want about the sports fans, but they are among the most knowledgeable in the country. The musicians at Fergie's pub on Monday nights, to a man (or woman), are kind, open, funny, welcoming. The art museum rocks, the traffic doesn't seem to bad, the skyline is well on its way.
But when I ride my bike through the city, day or night, I am afraid of almost everyone I encounter.
Perhaps I am a big pussy. Or perhaps my sense of what is safe is skewed. Perhaps I am misinterpreting multiculturalism for racism. Perhaps I have been living in Japan too long.
Let me ask a question. There is a lot of talk about rights these days. What we should be allowed to do as citizens, what our government should be allowed to do as a body. But in the year 2007, at the pinnacle of civilization and culture and technology and awareness of diversity, shouldn't everyone on the planet, and not just those in Japan and a few other countries around the world, have the basic right to walk outside of their home and go somewhere without having to worry about "rough" neighborhoods?
Travelers to foreign lands, historically, have always had to worry about safety. From the first hunter-gatherers all the way up. Fear of an unknown person or entity is a natural human reaction.
But there are very few unknowns anymore. At least not in America. We're all very well aware of whites and blacks and hispanics and Asians and other. We have a pretty good understanding of what each race is about, what they eat and how they interact with each other and how they get married. It's all right there in front of us everyday.
So why am I afraid riding my bicycle through the streets? Where does that energy come from?
Please don't tell me I've been away too long, that I don't know what "reality" is. And please don't tell me that it is only my perception of things because I've been out of the country for so many years. People who live and work in the city and have been here for a long time have told me which neighborhoods are safe and which ones are not. They've told me to watch my back, to be careful, to avoid talking to strangers. Somebody offered to buy me a can of mace, and somebody else told me that I should not be so "aggressively friendly".
I don't want to expand this into a broad comment about fear and anger and race in America, because not all the facts are in, and because I am not yet informed enough about these topics. I am simply talking about how I feel a lot of the time. And why there is bulletproof glass at Taco Bell, and at filling stations, and, as I said, at the post office. It has become, I suppose, necessary.
One final point. Living in a safe world is a basic human right. But often rights must come with responsibility.
In a word, the safety of our world is all of our responsibility. So, like, what are we going to do about it?
Friday, August 10, 2007
with no power, nothing to do
an insight into your humble narrator, as expressed by hunter s. thompson
Sorry to be so sporadic. More to come soon.
Monday, July 23, 2007
dead rock stars/condoleeza's rice
Started off Thursday, actually. Me and Cowboy Rob Pinckney took our guitars up to local ex-pat watering hole TK6 for a short-notice set. The place was packed, people weren’t listening too much, but we steamrolled through some of my originals, some of his Johnny, Willie, and CCR covers, we did Brown Eyed Girl, and ended up with a half-assed version of Hotel California. I actually suggested we play Tequila Sunrise, but he was well into the intro before I got around to telling him it was the wrong song, and by then it was too late.
So I told myself that after the set, I’d have two beers, and then head home, as Saturday was the monthly Dead Rock Stars event (http://www.myspace.com/deadrockstarssapporo), an evening of five local bands organized by the gentleman spies. Jon and Andy of the spies asked me to do a couple solo acoustic sets between bands. It’s kind of a big thing in town, so I didn’t want to get too messed up Thursday night and lose my voice.
Movie cut: me banging along on the bartop at 3:30 AM as American Andrew blasts his iPod through the TK6 sound system rocking everything from Ray Charles to Zep to GN’f-in’R. Awesome night. Salsa dancing with this American girl who claimed to be a lesbian but I have my doubts. I ran screaming before I did anything remotely unfaithful to my special lady friend. Just throwing that out there. I am many things, but adulterous is not one of them.
At any rate. Slept in Friday, regrouped, hydrated, had an early one, home before 2:00.
A couple of the boys from my former place of employment, Hokkaido Outdoor Adventures (aka HOA) (http://www.rafting-hoa.co.jp/) were coming into town for the Dead Rock Stars and for the international party at a club called Mole later on. We started off with a few afternoon lukewarm ones at the beer garden in the park in the middle of town (more on that later, as well) before heading over to club 810 for the music.
First band was ok, my first set was ok. Video footage pending, perhaps.
The next act was an all girl band. Right away you could tell they were something special. HOA boy Jesse fell instantly in love with the drummer, HOA boy Jarad chose the guitar player. The singer was a chubby little thing in quasi Gothic Lolita attire, couldn’t have been more than four foot ten, but man did she hold the stage. Then on the last song, the guitar player, a hot little thing with perfectly straight, soft, smooth black hair flying everywhere, was rolling around on the floor Hendrix style, wailing, soloing, and doing a damn good job of it musically. I turned to Montana Jon, who was smoking a cigarette watching with a smile on his face waiting patiently to take the stage next, and said to him, “You have many things in your band, but what you do not have is hot Japanese girls rolling around on the floor playing lead guitar.”
The spies were good. Jon and Andy are both up around 6’5”, and their music is as towering as their stature. They went through a slick set of what Jarad referred to as “dirty rock”, closing with the ever-rousing “Conoleeza’s Rice”. Jon’s vocals are a little muffled on their myspace page, but check out the lyrics on all four songs (http://www.myspace.com/thegentlemanspies). There’s some good writin’ in there.
For my second set, spies drummer Makoto pulled up a tom-tom and played along with me. As the next band set up and I was tuning up behind the screen, I ran through the chords and changes and rhythms of the three songs I would play. Makoto and I had only met once before, and had never jammed. But man did he rock it. He was right there with me, picking up steam as we went. I was a little drunker, the crowd was a little drunker, when I got to the second half of my politically-charged “Miss America”, the sweat was pouring off of me and I was in the zone. People responded. Closed with “She’s So Lovely”, a song that is becoming so popular that it is asked for by name almost every time I pick up a guitar. My special lady friend, who put the “lovely” in “She’s So Lovely”, was almost as much in the spotlight as me. Great fun, great set.
The next band up was fronted by a heavyset Japanese dude with sweaty, straggly hair and big fuck-off pork chop sideburns. They were good, but, in retrospect, they were just a prelude to the final act.
I don’t know if I could quite describe these guys without accompanying video footage. When they opened, their lead singer, a five foot two, 110 pound Japanese guy in skintight red pants and a skintight red top with a butterfly collar, came out on stage and stood there smoking a cigarette, just staring at everybody. It was exciting. Cool, funny. Girl drummer, guys on bass and guitar.
Maybe we should skip to the last song. Red dude in the corner behind the amps screaming unintelligibly into the mic. Drummer holding steady. Bass player CROWD SURFING on the shoulders of two of the probably less than 50 people in the place. Guitar player has his axe laid across the metal bars in front of the stage, strings down, feedback screaming, and, in a very realistic fashion, making humping motions using the instrument as an extended phallus.
The place was electrified. All the way through, musically, they were absolutely tight, but loose and creative and jamming all at the same time. They did all originals, I think, but their sound ranged from power punk to modern rock to 60’s pop and everything in between. People in the crowd were screaming, jumping up and down, hugging each other. Cowboy Rob was just as into it as the little goth chick in the corner. The bass player was in a white suit with a floral button-down shirt. He would occasionally come to the front of the stage, stare directly into the lights with a murderously serious expression on his face, hold the beat with one hand, and open the jacket to reveal a mismatched floral pattern on the inside lining. He did it three or four times, and every time he did it, the place, inexplicably, erupted. The singer at one point went flat as a board and fell straight back, knocking over the guitar player and banging both of their heads into the PA. I swear people were comparing them to The Doors.
So they finally all threw down their instruments, and the three guys did this little quasi a capella thing at the end while the drummer kept a beat, and then they threw the microphones down and let feedback ring for a full minute or two before the sound guys cut the power.
Host Jon, ever gracious and humble, hopped up on stage, picked the mic off the floor, and delivered the only line that could have come after such a performance.
“People wonder why we don’t headline our own shows.”
You know, I was going to continue on with a recount of the events of the rave party we went to afterwards, and then of drinking at Rad Brother’s, Sapporo’s resident dirty foreigner bar, until 7:00 AM, and then getting up at 11:00 and going directly to the beer gardens for another 10 hour drinking session, but most of you have probably if not participated in such debauchery, heard stories about it. You didn’t even have to live in Bangkok.
I was also going to make some point about music being one of the two international languages that everyone can understand, but it’s Tuesday morning 9:30 AM, and I’m still sort of too hungover to think properly. But there is a point in there. I could understand very little of what little red dude in that closing band was saying, but it was just as powerful and moving as any set I’ve ever seen. Conversely, quite a few Japanese people were dancing along to my upbeat acoustic numbers and to the gentleman spies’ set, and both my music and theirs is very lyric-oriented and therefore would be almost unintelligible to even the sharpest of Japanese English speakers.
But, like I said, I’m just too hungover. I guess that’s what being 32 is all about. Two-day hangovers.
The other most effective international language, in my personal experience, and since you asked, is sports. Maybe more on that next time.
Wednesday, July 18, 2007
mess o' potamia, more
i am hijacking back tonight because i've spent the last two hours watching the senate debate on the iraq war and needed to chime in on a couple of brother rob's questions and thoughts.
okay, how many of you knew that the senate was pulling an all nighter? as steven colbert pointed out, they are preempting things like the infomercial for the "magic bullet," a "very special episode of BLOSSOM" and coverage of the NHL rookie training camp.
what a great time to debate this war, between the hours of 11PM and 4AM. usually, i am listening to coast to coast AM with george noorie.
i guess, to answer rob's question about the difference between democrats and republicans is that there is none. i am squarely behind barack obama, but i also am frustrated by the fact that NO ONE is asserting themselves fully to say "stop the nonsense."
i'm currently listening to washington state senator maria cantwell, who is asking for a pull-out. she is asking for a public presentation of what a senator's opinion might be, and i agree whole-heartedly. stand up and reflect the opinion of what the people elected you to express. are we really being spun that much that there is actually a question. everyone i know wants out -- am i really in the minority?
what is the fear of just calling a vote and putting the question to the mat?
there is such a sense of apprehension, an overwhelming sense of fear here, rob, that no one is able to a) articulate their opinion b)hold fast to that opinion and c)accept being wrong or pissing people off that we are a complacent, cowering and inarticulate people.
what was once the great "american experiment" has turned into yet another example of the tyranny of power. we are no better than any other of the failed political experiments.
whew.
i dare you all to keep watching this debate and challenging your elected officials to reflect your opinion.
gotohellifyouhatefreedom,
volansky
Saturday, July 14, 2007
cherry poppin' anonymous
Thursday, July 12, 2007
gimme da fuckin' keys, cocksucker
I check Rolling Stone’s website almost every day. It’s my pipeline to American music, American culture. (I’ve been living outside of America off and on for several years.) I read the feature stories, read the reviews. So the other day I clicked on a video clip where two members of the RS staff reviewed a couple albums. One was the new Velvet Revolver and I forget what the other one was. Anyway. They were sitting in like a conference room discussing Weiland’s vocals and Slash’s guitar, playing snippets from a cd player behind them and talking about the music.
They had some good things to say about it and some bad things. But what struck me most was that the two of them had this underlying tone of smugness throughout the whole thing. It’s like they were reviewing the record, but at the same time they were kind of acting like they were too cool to be reviewing the record. Like somewhere just below the surface, they were making fun of the whole thing. Does that make sense?
So, like Chazz Palmentieri at the end of The Usual Suspects, I began to put together clues from Rolling Stone articles I’ve read over the years, and from other blogs I’ve stumbled upon, and from other interviews with people in the artistic and entertainment industry. What I’ve realized is that that smugness was not an isolated incident.
I’ve spent a lot of years teaching junior high school students. One clear behavioral pattern that children in that age group all over the world share is the desire for privacy. Their bodies are changing and they are shy about showing them, their minds are changing and they are hesitant to offer opinions. Junior high school kids love to pass little folded-up notes in class and keep secrets from their friends.
In the process of teaching, I’ll often play communicative activities in which I ask the kids various questions. One activity focused largely on pop culture, sports, and entertainment. Who’s your favorite baseball player? Who’s your favorite singer? Perhaps because of the privacy thing, when I ask kids who their favorite singer or movie star or pop star is, they’ll often hmm and haw, will be shy about saying a name. It’s not that they don’t have a favorite, they just don’t want to look stupid by saying someone not cool or unattractive.
Of course young adults in America talk about music and movies and singers and bands and all that. They offer opinions and say what they like and don’t like.
But I see that smugness everywhere, that too-cool-for-school attitude. (I have heard of this thing called a "hipster", but I'm not quite clear on what it is. However, I do feel like this hipster thing is related to this smugness somehow.) I don’t see it as cool at all, though. I see it as kind of insecurity about looking stupid for saying they like a certain band or singer. The smugness deflects being identified with that group or style of music, waters down the true opinion, like a defense mechanism.
A few points on this. First off, this is a strictly American and British phenomenon. I interact with people from all over the world. Most of my close friends at the moment are Australian, Kiwi, and Canadian, and no matter how many times I meet one of them, I am struck by how genuine they are, especially when it comes to basic likes and dislikes. Many Americans and Britishers, on the other hand, when you ask them their thoughts on a bar or club, sports team, or cultural icon, will give you an answer, but a snide remark will linger just there, just in case.
Now, to be perfectly honest, I don’t care much about this in itself. If people want to make fun of bands, go for it. But I don’t see it as a strictly cultural thing. I see it as a symptom of a larger unwillingness to identify with anyone or anything that might be unacceptable to someone else. I see it as a symptom of an inability or unwillingness to take personal responsibility for beliefs. What I worry about is that if people are afraid to take a stand on a musician that they like, what hope do they have of holding fast on issues that matter?
Questions: is it easier to identify yourself with something trivial like a favorite band, or something serious like a political ideal? It’s hip to bash Bush these days, hip to stop global warming. Those are safe. But what about unsafe, divisive issues? What about the war in Iraq, for example? I am utterly opposed to violence, I don’t even kill mosquitoes, but I have yet to hear a convincing plan for the withdrawal of troops from the area that will not result in millions of Iraqis slaughtering one another. What do you think about this and other serious matters? I would imagine that the smugness disappears when more pressing issues come up, but do you think people really believe what they say, or is the smugness replaced by another similar defense mechanism that absolves them from really having to go to bat for something they believe? Do you stand firm in your own opinions, or do you waver depending on the situation or the people with whom you’re talking? Have your basic principles or ideals changed as you’ve gotten older? Is it easy or hard for you to express your opinions? Do you temper your opinions with some sort of defense mechanism?
I’m not pointing fingers here. I wonder if I do the same thing in barroom conversations and in other more formal arenas. My opinions shift as much as anybody’s. But this raises another question. We give shit to politicians who waver, but we also give shit to politicians who hold their ground in the face of heavy opposition or overwhelming disagreement. Why is that? Which do you think is less appealing?
Will close for now. Nobody seems to have taken up the question about Democrats and Republicans, but that’s fine. If I get answers, I’ll be glad to address them. If not, I’ve got plenty more where this came from, so I’ll just continue to bash away.
Take care, peeps. Have a good one.
Wednesday, July 11, 2007
opening remarks
Tuesday, July 10, 2007
hijack
Monday, June 25, 2007
for now...
it seems as though the dissertation, school, life in all of its wonderful incarnations and dramaturgy has taken its toll on the blog and it is now time to call it a day, at least for now.
you can still reach me at my email address, but i can't handle the pressure of knowing that i've not been able to post.
i trust you will understand.
go forth, fight the good fight and always remember --
gotohellifyouhatefreedom,
volansky
Saturday, March 31, 2007
leaving, part two.
sitting in the lounge at manchester airport, having woken up at odark-thirty. i slept in the car ride over and now one side of my hair is smushed.
the day is going to be a long one.
i didn't want to leave the UK without mentioning that, as part of our travels in and around hull on tuesday and wednesday, helen and i went and visited the william wilberforce house in hull.
pause pause.
well, you can't avoid him these days.
he was the fellow who, in 1807, convinced the british to abolish slavery. this year is the 200th anniversary (the actual day was march 25, so my visit was really timely) and events are happening all over to mark it. you can visit the website for a complete run-down of the history, celebrations and impact wilberforce had.
the movie, AMAZING GRACE, is the story of wilberforce's efforts. i was sort of ambivalent about seeing it, but now i will.
and i urge you to sign the petition to stop the institution of slavery that still exists around the world today.
off now to find some chocolate homewheats for the lizard queen...hours more to go before i arrive back in the city of brotherly love.
kisses to all.
gotohellifyouhatefreedom,
volansky
Friday, March 30, 2007
leaving hull
despite our smugness and helen's vast knowledge of the hierarchy of the church of england, it does not look like this:
the two do share a striking similarity (and, let's be honest, all big churches look pretty much the same), but we were just plain wrong. sigh. no wonder we are friends -- shared lack of directional abilities.
i've just finished my last module for the week and frankly, just in time. i am REALLY tired, having not slept much here. the bed in my room is a single and, since i'm used to a big queen, i've been waking myself up after whacking my arm on the wall.
oy.
i've also had little luck in finding some presents for you good, kind people, but the entire country shuts down around 5, which is when my classes have ended. it becomes like an instant ghost town. it is odd, but, once again, confirms why there is no more british empire.
really anxious to get home, and, luckily for me, i got bumped up to 'world traveller plus' in my seating, which gives me more legroom and space. and i got an exit row, so perhaps i'll sleep there. and of course, who can forget the "free drinks on overseas flights?" can anyone say "bloody mary."
all in all, it was a good trip and i feel really prepared to dig right on in on my dissertation. i do miss the girl -- i dreamt last night that she saved the life of a duck and was part of a car burglarly in which both my friend jeannie and my cel phone were taken. crazy where the brain goes...
right then, i'm off for a nap. then fish and chips for dinner.
and a 6:15 departure for manchester airport.
hope to see you all soon -- and much much love.
gotohellifyouhatefreedom,
volansky
Tuesday, March 27, 2007
online and rolling
well, by some minor miracle, i am getting wireless access here in my little monastic room in hull, england. i think i may be stealing it from the italians (bon journo!) who are sharing the house with me, but no matter. i'm online!
things are going well here. i liked yesterday's session on "m
i get to hang out with helen today, which is very exciting. i think we may tear up hull today and then take a little adventure tomorrow. i heard rumors from the kids about york and
despite kate, rachel and erika's insistence that england is not as...um...technically backward as it seems, i am still cell-phoneless. it is sort of liberating. i do have a phone in my room and i had a good chat with brother bertie last night. one sibling in japan, one in england...mom and dad must be very proud of their world travelers.
off to class (good lord, my computer says that it is 3:21AM -- who knew i'd be up this early!) and in search of a decent cup of coffee.
gotohellifyouhatefreedom,
volansky
Sunday, March 25, 2007
i'm in england!
well, it has been a long while since i've posted. i've discovered that some of my opinions are rather boring to anyone except me and so i've chosen not to share each and every one of them.
however, before i launch into the travel narrative, i did want to turn your attention to two sites worth observing:
the first is this one.
i know that some of you are liking the other one, or maybe even the other one. but i like my guy. i can relate to him, i think he's smart. and i think he is different. not the usual suspect. which is, for me, what it is all about.
the other site i think is REALLY important these days is this one. josh was the first on this story, and has continued to cover it relentlessly. there was an article in the times which seemed to suggest that the scandal (is that really the best word?) around the firing of 8 US attorneys is a non-event, but i have to disagree. to fire a guy like bud cummins to replace a friend of karl;s (remember karl, gang? he's not gone ANYWHERE...) seems more than a little fishy to this blogger.
what do you think?
so, i am currently in hull, england. here is where it is:
think secaucus, new jersey. think about the monty python sketch regarding your lover in bolton.
that's hull. not a pretty place. but i hope to find some fun, adventure and my dissertation.
however, i have encountered some technical difficulties:
my cel phone does not work here.
my laptop cannot get wireless here.
the computers are ANCIENT.
internet access is extremely limited.
there are 3 television stations on the television my room, which is, hmm, 'sparse.'
last night i popped over to the 'old grey mare,' the closest pub. it was a MOB SCENE because, of course, england was playing israel in a sport we call soccer. they were completely overwhelmed and weren't serving food because of the crowd. so, i had 4 gin and tonics and 2 bags of doritos for dinner. i'm hoping for fish and chips tonight.
today's adventures had me walking walking walking looking for someplace, anyplace to be open. out of luck. i did find a little grocey and got some essentials (a chardonnay, some pasta, kleenex).
i am beginning to see why england lost their empire.
more later, but i miss everyone and feel very disconnected. you can try to email me (volansky@yahoo.com) but know that internet is not this island's best friend.
gotohellifyouhatefreedom,
volansky
Monday, February 12, 2007
make it stop
i am at my wits end.
it kills me to watch/read/listen to anything.
my bone marrow is hurting.
stop the war in iraq.
stop the talk about invading iran -- the evidence is old and questionable.
shout it out loud.
make it stop.
make it stop.
make it stop.
demand answers.
demand answers.
demand answers.
and for god's sake,
gotohellifyouhatefreedom,
volansky
Sunday, January 21, 2007
the party is over
interesting conversation going on in the "comments" section of my blog. i totally agree with jon the neocon, who observes that all wars are fought with young men. however, i'm not convinced that this particular president is taking a stand so much as he is unwilling to listen to ANY other options. there has to be other ways of dealing with the insurgency, the civil war and the number of military (both ours and iraq's) casualties and the ever-increasing civilian deaths. it just hurts and i feel completely helpless.
a couple of things to note:
i went to my favorite NYC watering hole on thursday --
where i had the great pleasure of seeing many, many fantastic new yorkers. not enough time, as always, but the mere taste left me wanting more. i'll be back to see the stoppard piece (http://www.coastofutopia.com/) in april. look for another outing then.
i suppose the big news is that the semester starts tomorrow morning. classes in american drama since 1992, dramaturgy and the junior seminar should make for a lively semester.
i am quite ready to return to work. while the reviews for DEX AND JULIE are good (http://www.philly.com/mld/philly/living/columnists/howard_shapiro/16491096.htm) and i certainly had a grand time doing it, my brain is a tad mushy. nothing keeps one sharper than a pile of 20-something deeply suspicious of what you are saying.
off to bed now, in anticipation of a gym trip in the morning. anyone want to take bets to see if i actually go?
and finally, a question from a great dinner party with the boys, buster and dp: can you tell who is a creamy peanut butter eater versus a crunchy peanut butter eater? discuss.
see you at the state of the union.
gotohellifyouhatefreedom,
volansky
Thursday, January 11, 2007
now what?
hello, friends,
i've read a bunch of blogs this morning, from those on the left and those on the right, and i have to say, there is not a lot of support for this escalation...
how's that for an understatement? whether it is coming from the most liberal of all, hilary, or from an ex-marine logged on to fox news, the response is more than a little clear.
i found myself watching the president last night and thinking a couple of things:
1. he looked terrible
2. he is standing alone, like the kid on the playground that just pooped his pants
3. he maintains a sense of arrogance and COMPLETE ignorance
4. the invocation of 9/11 along with "hint" of some action against syria or iran makes me believe that he is crazy, as betty asserted last night
a couple of weeks ago, the NYTimes printed an article observing that the bulk of the soldiers being killed in iraq at this stage in the game were young (under 25), white and from mostly rural areas. for some reason, that struck a chord with me. once again, we are sending those with few life options into a place to do someone else's dirty work. i would urge you, once again, to take a close look at the "names of the dead" listings in your local paper, or stare at the screen when jim leher shows the roll-call. it is heartbreaking and a staggering reminder that we here stateside having nothing to offer but our fervent wishes for it all to end.
write, call and challenge those who can make it stop.
gotohellifyouhatefreedom,
volansky
Thursday, January 04, 2007
the year of the phlegm!
well, it sure is GREAT to be back. grading, christmas, new year's have all passed and now it is just winter break. nice, right? and a perfect time to hack up all that was bad about 2006 and spit it out onto 2007.
sorry. but i've had a bit of a head-cold over the last week. i'm on the mend, so let us catch up, shall we?
christmas was a laid-back event, spent with the o'brien's and a lovely little baby named walter. he and i chilled out and watched benedict XVI give the offering of peace and happiness. despite my feelings on catholicism, i am a sucker for all things ceremonial. this one seemed to be full of incense, wafers and a heavenly host. nice. for his part, the manfriend gave me heelys for christmas. those of you who are more suspicious think i am an accident waiting to happen -- well, i'll show you! just need to check with HR to make certain my insurance is up-to-date...
new year's was also a decidedly low-key event; uncle larry and the goodest of hearts get high marks and eternal love for braving, um, 1-95, and making it to philly for the event. those of you in chestertownvilleburgheightsuponavon, well, you missed out. and it was, perhaps, the last big volansky new year's eve party. next year's event is a secret. but a good time was had by all, i think. special shouts go to mc and jason, bethie and don, a multitude of medical doctors, some fine theater folks (look how happy murph looks! look at lois!) and the newly-engaged.
i have to take this moment to send out love to people i've not seen in a bit: dillmansky, mo and michel, wilner, and most especially the kirks. to all, i hope to see you in '07.
in the last couple of days (in between blowing my nose) i've been reading brother rob's novel. that's right, brother wrote an epic. it is REALLY good, totally original and if any of you have suggestions on publishing it, do pass them along.
speaking of which, if you are looking for early christmas gifts for next year, check out this link and start saving your pennies.
off to...well, either rehearsals, reading or possibly back to sleep. i love winter break.
be in touch. i miss you guys.
gotohellifyouhatefreedom,
volansky